QUE BUENO ES EL PONJA ESTE, Y QUE LO DIGA YO, QUE SOLO ME GUSTA KUROSAWA Y EL DE LA BALADA DEL NARAYAMA, QUE NO ME ACUERDO EL NOMBRE Y MURIO HACE PODCOS DIAS. ES UN LEYENDECKER CUALQUIERA, DIGO, NO SÉ... ODIO EL MANGAAAA...
It is true that they are sentimental but not necessarily more sentimental than the European and American advertising illustrations of the period. It is ironic that in that period Japanese society was undergoing a very patriotic and conservative phase. I actually find them very charming. I particularily like the street scene printed on the fan.
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QUE BUENO ES EL PONJA ESTE, Y QUE LO DIGA YO, QUE SOLO ME GUSTA KUROSAWA Y EL DE LA BALADA DEL NARAYAMA, QUE NO ME ACUERDO EL NOMBRE Y MURIO HACE PODCOS DIAS. ES UN LEYENDECKER CUALQUIERA, DIGO, NO SÉ... ODIO EL MANGAAAA...
Yo tambien odio el manga...
El director del cual hablas se llamaba: Shohei Imamura.
the japanese graphics look cool indeed.. Love them all... they look so sentimental. to me..
nIce ones!!!
t.c. mate
It is true that they are sentimental but not necessarily more sentimental than the European and American advertising illustrations of the period. It is ironic that in that period Japanese society was undergoing a very patriotic and conservative phase. I actually find them very charming. I particularily like the street scene printed on the fan.
Olá Oscar, gosto muito do seu blog e do seu trabalho. E estas imagens são lindas! Sou fã de art deco e Japonesisses.
Obrigado, Mariana. Todo el merito es de estos magnificos y anonimos artistas
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